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Bahamadia
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[B
u y "
Kollage
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First verse Flam, combustion thrustin' new versions of verses over kids heads like halos bendin' ney brain cells like indo "n-o-va-shun' definition different renditions of creations sorta like what I'm doin', style that I'm usin' - wordsmith meets rap fusion if that's a category fit for grammy like Source Awards then com-pet-tit-tors bet-tor look out like Pack Jam once I record - "n-o-v-a-shun" the first, to influx information no relation to wackness instead pedantic - combating prose with passionate passages surpassing the realm of gun to-ting savages however able da serve them like Mr. Belvedere once confronted, they don't ever want it cuz I got my Freestyle Fellowship membership but I will still get fit to, Ace-ya-alone - (I)"nn-o-va-shun"... Second verse Presentation "ori-gi-nile" - ways of thinking "ra-shun-nile" ready for consumption to each one suckered in or rather lured by each lyric contoured to thee com-plexity of "n-o-va-shun" I,"nn-o-v-a-shun" bi-coastal vernacular enables one to become, a-phenomenon - a - "sen-sa-shun" ac-com-pa-nee-ing pa-rump-pa-pum-pums - "n-o-vashun"... Third verse Finer degrees or shall I say meters of rap and poetry combine to make this one topic of discussion, you heard dat sh*t "n-o-va-shun" Bahamadia must be one of tha last pioneers in captivity, linking vocal tones and microphones to holy matrimony, each song composed in ritual ceremonies - for sight exceeds that of modern day prophet Rambonie, (I)nn-o-va-shu-n-o-va-shu, I-"nn-o-va- (pause) shun".
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